2003-04 Season
Da Capo Chamber Players
- Patricia Spencer, flute
- Meighan Stoops, clarinet
- David Bowlin, violin
- André Emelianoff, cello
DA CAPO NEW YORK
Elliott Carter, Triple Duo
In honor of Elliott Carter's 95th Birthday
Eleanor Cory, Chasing Time
Brian Fennelly, Skyscapes III (World Premiere)
Leo Kraft, Second Fantasy
George Perle, Critical Moments II
Francis Thorne, Lyric Variations #8 and How Wild the Rows
An evening highlighting New York composers of a variety of styles who have built and are building a special heritage here.
Guest artists: David Gilbert, conductor; Blair McMillen, piano; James Baker, percussion.
Wednesday, October 8, 2003 8:00 PM
Merkin Concert Hall
129 West 67th Street
Single tickets $15 ($10 students/seniors)
DA CAPO INTERNATIONAL
Chinary Ung, Oracle (World Premiere)
Written for Da Capo with a grant from the Mary Flagler Cary Charitable Trust
Luciano Berio, Différences
Kirill Umansky, Kammerstück (US Premiere)
Shirish Korde, Blue Topeng (New York Premiere)
For gamelan instruments and chamber ensemble
Sofia Gubaidulina, Rejoice!
Drawing from repertoire recently discovered on our Russian trip, Da Capo offers the US premiere of a piece by Kirill Umansky, juxtaposed with a kaleidoscope of works from nations around the globe -- India, Italy, and Cambodia. Our composers also have a deep connection with musical developments in the US: Berio, Korde, and Ung have been extremely active in New York, Boston, and San Diego, respectively.
Wednesday, January 28, 2004 8:00 PM
Merkin Concert Hall
129 West 67th Street
Single tickets $15 ($10 students/seniors)
DA CAPO DOWNTOWN
Frederic Rzewski, Coming Together
Derek Bermel, Coming Together
Kyle Gann, Hovenweep
David Lang, Thorn
John Mackey, Breakdown Tango
Dennis DeSantis, Make It. Stop.
A rollicking, frolicking set of new works from the stomping grounds of downtown Manhattan.
Sunday, April 25, 2004 7:30 PM
The Knitting Factory
74 Leonard Street
Single tickets $15 ($10 students/seniors)
The concerts of the Da Capo Chamber Players are made possible in part with public funds from the New York State Council on the Arts. They are also made possible with private funds from the Aaron Copland Fund for Music, the Amphion Foundation and generous individuals.
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